Acteur
Vierde Nederlandse Shakespeare ‘Authorship’ Conferentie
Hij was als acteur te zien in veel van zijn eigen producties en in:
“Mensekind”, productie TIE 3, regie Edsel Samson.
“L’Histoire du Soldat” van Igor Stravinsky, productie SKON,
regie Albert Heijdens
“Toris” productie De Nieuwe Amsterdamse, regie Ruffus Collins.
“Let’s Dance”, productie van het Onafhankelijk Toneel,
met regie Els de Jager en Ton Lutgerink
“Don Quixot”, productie De Stlte – Max Tak Orkest,
regie Jack Timmermans
Speelfilms
“Havik”, regie Frans Weiss
“Xime”, regie Sana N’ Hada
”Mikosh”, regie Danniél Danniél
“The Crossing”, regie Nora Hope
“Het wonder van Máxima”, regie Paul Ruven
Televisieseries
“Cowboy uit Iran”
“De Kroon"
”Trauma 24/7"
“Bobby, Ernst en de rest”
“Onderweg naar morgen”
“Goede tijden slechte tijden”
“Keyzer en de Boer Advokaten”.
ACTUEEL
Vierde Nederlandse Shakespeare ‘Authorship’ Conferentie
Fourth Dutch Shakespeare Authorship Conference
in collaboration with Ons Middelbaar Onderwijs, OMO
‘Shakespeare in Italy’
June 8-9th 2007
Sweelinckzaal, Drift 21, Utrecht, Netherlands
The cover image summarizes the book's theme succinctly: On the left is the “Ashbourne Portrait of Shakespeare.” On the right is a portrait of Edward de Vere. This split image of what is clearly the same face leads one into the heart of the “Shakespeare” mystery.
Weaving together a wealth of evidence uncovered in more than ten years of research, “Shakespeare” By Another Name brings to life the colorful figure of Edward de Vere whose life story presents countless mirror images in The Bard's plays and poems. “Shakespeare” By Another Name also assembles literally hundreds of sometimes overlooked and sometimes entirely new pieces of evidence that point toward the remarkable conclusion that Edward de Vere was “Shakespeare.”
For more information visit http://www.shakespearebyanothername.com/index.html
This years conference, organized by the Dutch members of the DeVere Society will address the Italian sources of Shakespeare’s plays and in particular the influence of Commedia dell’ Arte upon his works.
Saturday June 9th, venue: all performances will take place in the Theater Instituut Nederland (TIN), Herengracht 168, Amsterdam 10.30 - 17.00. It includes a guided tour through the Theatre Museum, where rare performances of Shakespeare plays will be on display and with the use of the mediatheque facility.
Juan Tajes, stage director and Grainne Delaney,actress will stage a play about the authorship question. Tajes has worked in collaboration with the Italian Institute, is a theatre expert and accomplished maskmaker. We aim to have an exhibition of his collection of masks during the conference.
Frank Peereboom en Eveline Juten, dancer/theatreman and theatrewoman respectively with a commedia dell’arte play.
Alexandra d’Espinosa - mezzo soprano, renaissance songs.
Floris de Rycker – accomplished lutist will also perform
Saturday, June 9th
TIN, Theater Instituut Nederland,
Herengracht 168, Amsterdam
Chair: Anne- Louise Plugge
13.00 - Lunch
13.30 - Tour of TIN and its archives, with an exhibition of Shakespearean plays and masks by Juan Tajes
Entrée theater en dans programma € 15.-
15.00 - Renaissance songs by Alexandra d’Espinosa, accompanied by Floris de Rycker on lute
15.30 - een toepasselijk stuk uit Il Cortegiano 1507, in het Italiaans, gevolgd door zang. De volgende scene komt uit de eerste engelse vertaling ongeveer 50 jaar later, met dans uit die periode. Dan volgt een stukje Commedia met dans, vervolgens een potpourrie van dansen uit Shakekspeare´s tijd ( zoveel mogelijk als in de stukken genoemd)Eveline Juten and Frank Peereboom directed by Neela Mueller
15.45 - Authorship Dialogue on Stage "Honour & Honesty If an English Poet had traveled to Italy, what would he have encountered, observed, and recounted upon his return? The Paintings, sculpture? The spectacle of Church ritual? Processions and the physical theatre, jugglers, acrobats, puppets? Focusing on the intrigues around Honour and Honesty, Grainne Delaney and Juan C. Tajes set Shakespeare’s relationships to the Commedia dell'Arte Tradition and transform the plot, action and ideas into Lazzi ‘alla Italiana’." - Juan Tajes and Grainne Delaney
16.30 - Comments, discussion
16.55 - Conference ends
TOP
|
|
